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With Paulette at the Brown Derby, October 1938

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Charlie and Paulette seem very happy and relaxed here, but according to this snippet from a November 1936 issue of Movie Classic, that was not always the case:


February 1925

Chaplin & company on location with Shoulder Arms, 1918

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Albert Austin is at far left. Henry Bergman is talking to Syd Chaplin (with mustache). Studio manager Alf Reeves is in the center (wearing a straw hat), Charlie is seated in front. Cameraman Rollie Totheroh, wearing a visor, is next to the camera. 

Boxing with Kid McCoy, March 1924

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McCoy, center, referees a match between Charlie & Mack Swain, who is dressed in his costume for The Gold Rush.
Autographed photo. Charlie's inscription reads: "To One X Champ From Another X Champ. Charlie Chaplin"
Close-up
More photos here.

Five quotes falsely attributed to Charlie Chaplin

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"A day without laughter is a day wasted"*

"I love walking in the rain so no one can see me crying."

"The mirror is my best friend, because when I cry it never laughs"

 "As I began to love myself..." Here's the rest.

"Life is a play that does not allow testing. So, sing, cry, dance, laugh and live intensely, before the curtain closes and the piece ends with no applause."

I'm sure there are others, but these are the most commonly-seen non-Chaplin quotes. These have been passed along over and over on social media sites and never include a source. Here is a good rule of thumb: if the quote doesn't cite an original source (when or where he said it), it may not be a real quote (plus most of these "quotes" just don't sound like something Charlie would have ever said.) The poem "As I began to love myself" is often accompanied by the statement that Charlie recited it on his 70th birthday, but this is completely false. It was actually written by Kim McMillen.**

I also have a post called "Five people who are Not Charlie Chaplin" with commonly-seen impersonator photos or people erroneously identified as Charlie.

*More info: http://quoteinvestigator.com/2011/07/16/laughter-day/

**see post by McMillen's daughter, Alison, in the comments section in the link to the poem.  

British TV interview with Charlie & his son, Michael, from 1957 discussing the filming of A King In New York

Riding a penny farthing, c. 1919

Criterion edition of CITY LIGHTS to be released Nov. 12th, 2013


World Tour Revisited: Charlie's loop-the-loop

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Boston Globe, September 1st, 1931. Henri Cochet was a French tennis champion.

May Reeves describes what became a near-death experience for Charlie:
We went to an airshow with several friends. Detroyat performed his famous loops and offered Chaplin a short acrobatic flight. Since several young women had already flown with the intrepid aviator, any hesitation on Charlie's part would have been misinterpreted as cowardice. But when the plane flew over us upside down, I was a little afraid, and when Detroyat returned with his passenger, they both looked pale as a shroud. "We narrowly missed having an accident," Detroyat confessed. "The straps which held me broke while we were flying upside down. If I had not grabbed the control stick at the last moment..."1*
This wasn't Charlie's first time loop-the-looping. When he took his first flight around 1919, the trip included, among other harrowing stunts, a loop-the-loop. Before the flight, his main worry was about the padded clothing required for the journey which he considered indicative of a likelihood to crash. He survived but did not wish to repeat the experience.

Charlie avoided flying most of his life. In 1940, he made his first transcontinental flight, from Los Angeles to New York, for the premiere of The Great Dictator.  He disliked the trip so much that he returned to California by train and refused to fly again until the 1950s. 

Charlie with Emery Rogers,  vice president of the Syd Chaplin Aircraft Corporation, c.1919. 
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1 The Intimate Charlie Chaplin by May Reeves
*This brings to mind the airplane scene with Charlie and Reginald Gardiner in The Great Dictator.

Chaplin: The Man & The Comedian, Picture Show Annual, 1927

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The main photo was taken in 1923 by George Maillard Kesslere.

Charlie & Oona, 1953

Two Chaplin films on TCM this month plus loads of other silent films, "The Story Of Film," and Alfred Hitchcock on Sundays!

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http://www.tcm.com/schedule/monthly.html

The Kid and City Lights will be shown back to back next Monday night beginning at 12:45AM (sorry East Coasters).

Hitchcock's The Lodger (1926), which is on TCM tonight at midnight (EST), features Reginald Gardiner (Schultz from The Great Dictator) in an uncredited role. As I type this The Birds is on TCM which features Tippi Hedron who was also in A Countess From Hong Kong (other actors who worked for both Chaplin & Hitchcock include Nigel Bruce, Isobel Elsom & Norman Lloyd). Chaplin and Hitchcock knew each other personally, although I'm not sure when they met exactly. Hitch also attended a couple of Circle Theater performances (he closed his eyes during one play and later told Sydney Chaplin: "I wasn't asleep. I see through my eyelids.") I also read once that he really liked Chaplin's 1923 film The Pilgrim.

Hollywood party hosted by Chaplin at Hamanoya restaurant in Little Tokyo, 1929

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I believe the lady in the front row wearing the sleeveless, light-colored dress & holding an instrument is Georgia Hale. In her book, Charlie Chaplin: Intimate Close-ups, she recalled being invited by Chaplin to a party that was arranged by Toraichi Kono (far left) in the Japanese section of Los Angeles. According to Georgia, this was her first date with Charlie.
"We went to a most unusual party It had been arranged by Kono, his Japanese valet. He had prepared a most sumptuous feast and show...all Japanese...in the Japanese part of town. Many notables of movieland were invited."
Other familiar faces in the photo include King Vidor, second row, second from right, Irving Thalberg (I think), on Charlie's right, and Harry Crocker, whom Georgia remembered being at the party, same row, second from left.

"Studio closed. Labor Day"

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Source: Limelight: Chaplin Project N. 1

This report shows that the Chaplin Studio was closed on Labor Day in 1952. It also records Charlie's final days in Hollywood--Sept. 5th being the last day he ever set foot in the studio he built in 1918 and where he had made some of his most famous films. The next day, Charlie and Oona left California for London for the premiere of Limelight. Once at sea, Charlie learned that his reentry permit had been revoked by the U.S. government. He did not return to America until 1972 when he was awarded an Honorary Oscar.

On a more cheerful note: Happy Labor Day, U.S. fans. I hope some of you are enjoying a day off.

Chaplin aboard the Olympic bound for England, September 3rd, 1921 (note the pinky ring)

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This was Charlie's first trip back to his native country since he left for a second tour of North America with the Fred Karno Company in October 1912. Unlike his marathon, 18-month-long world tour in 1931, Charlie was only away from Hollywood for a month.

Hundreds of well-wishers, including Douglas Fairbanks and Mary Pickford, and members of the press greeted him on the deck of the ship. Given his shy nature, he was a bit uneasy at first.
When Chaplin stepped out on the A deck of the Olympic in front of a battery of moving picture machines he gave an affected start and said to an official of the company: "Gracious, what are these?" When told they were moving picture machines and they would not harm him, the film star appeared relieved and said, "Oh, thanks, so much; I am not afraid."1
Due to his recent divorce from Mildred Harris, Charlie was naturally asked about his marital plans.*
"Do you intend to marry again," he was asked.
"No, never," he replied. "I am through with that business."
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1New York Times, September 4th, 1921
*Before Charlie's departure in Los Angeles, his brother, Sydney, famously told press agent, Carlyle Robinson: "For God's sake, don't let him get married!"

"Charlie On The Ocean"--newsreel footage from 1921

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Mary & Douglas can be seen with Charlie around the :30 mark. Chaplin's traveling companion, playwright Edward Knoblock (or "Eddie" as Charlie called him), is the man standing with him on the deck while he waves to the crowds.

D.W. Griffith's INTOLERANCE (1916) on TCM (USA) tonight @ 8PM EST

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During an interview with Harry Carr in 1925, Chaplin was asked what he considered the best pictures ever made. His response included four films, three of which were directed by Griffith: Birth Of A Nation, Intolerance, and Hearts Of The World. The fourth film was Josef Von Sternberg's Salvation Hunters("Chaplin Explains Chaplin," Harry Carr, Motion Picture, November 1925)

Chaplin's first wife Mildred Harris appears in Intolerance in an uncredited role as one of the "Favorites Of The Harem." Tom Wilson, who appears as a cop in A Dog's Life& The Kid plays "The Kindly Policeman."

Portrait by Baron de Meyer, 1920

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Vanity Fair magazine celebrates its 100th anniversary this month. The above photo was among several of Chaplin that appeared in the magazine (this particular shot in March 1925).

THE COUNT, released September 4th, 1916

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Chaplin struggled with this film from the beginning. He built a set, as he often did, "with not an idea in my head."1 His first cry for help went out to his brother, who was in New York at the time. How much Charlie counted on him for brainstorming gags and scenario possibilities is evident in their correspondence when Syd was away. The following is from Lisa Stein Haven's Syd Chaplin: A Biography:
Wiring him at the Hotel Bonta in New York City, July 31, while he would have been filming The Count, Charlie pleaded: "Have you any suggestions for scenes? Have dining room and ballroom. I am playing a count but an imposter to win an heiress but cannot get story straight. Wire me some gags if possible. Playing in Chaplin make-up in fancy dress ball." Charlie's problems with this story continued, however, causing him to film the mostly one-man-show One A.M. in the meantime. By August, the situation was so dire that Charlie's butler and Man Friday, Tom Harrington, wired Sydney again:
"Charlie is very depressed condition for past two weeks. Doesn't seem able to get mind around to his story. He wishes nearly every other day that you were here...Think it very important for his future success for you to drop everything in New York and come here immediately at least three or four weeks. Charlie hasn't been sick but whenever he gets into difficult situation, which doesn't work out satisfactorily, he always wishes Syd were here."
Five days later Charlie wired his brother himself: "The last two pictures have given me great worry and I need you here to help me. Drop everything and arrange to be in Los Angeles by August 12 to help me in directing next picture. Wire answer immediately."
Why was Sydney tormenting his brother this way?  It seems Sydney felt "used" by Mutual and that they weren't paying him what he thought he was worth. A settlement seems to have been reached because Sydney eventually returned to California.2

According to an August 1916 interview with Grace Kingsley, Charlie's main struggle appears to have been with the ballroom sequence: "And as for these gray hairs"--indicating those about his temple over his right ear--"I got them all the other day trying to be funny in a ballroom scene. I think any comedian who started out to be funny in a ballroom would have his career blighted at the outset." 3



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1 Charles Chaplin,  My Autobiography, The Bodley Head, 1964
2 Lisa K. Stein, Syd Chaplin: A Biography, McFarland, 2011
3 Grace Kingsley, "Beneath The Mask: Witty, Wistful, Serious Is The Real Charlie Chaplin," Los Angeles Sunday Times, August 20th, 1916

Screenshots from Chaplin's Mutual Comedies: 90th Anniversary Edition (Image Entertainment)

Another vomit-inducing quote that's being falsely attributed to Charlie

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Yet another non-Chaplin quote is floating around on the "internets." Where do people com up with this stuff? And this latest one is a real doozy, too. Get this:

"Your naked body should only belong to those who fall in love with your naked soul." --Charlie Chaplin in a letter to his daughter, Geraldine.

Ay yi yi. First of all, we know that Chaplin rarely wrote letters, and if he were going to write a letter to Geraldine, I seriously doubt it would mention her naked body. If my father wrote a letter to me that mentioned nudity in any way, I would be scarred for life. This quote is part of a longer letter which you can read on the internet if you just search under the quote. Evidently, the real letter was written by an Iranian journalist 30+ years ago--not Charlie Chaplin!

To see more fake Chaplin quotes, click here
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