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World Tour Revisited: Chaplin visits Manchester and Blackburn, Nov. 8-10, 1931

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Illustration by Robert Gellert for "A Comedian Sees The World,"
A Woman's Home Companion, Dec. 1933

When Chaplin arrived in England in late September, he had stated publicly that he wished to stay long enough to witness the "fun" of the general elections, which were held on October 27th, 1931 (& resulted in a conservative landslide). He attended election meetings with some of his politician friends and spent election night at a party hosted by Gordon Selfridge, the British retail entrepreneur. A couple of weeks later, Chaplin decided to visit Manchester, where he had lived and attended school as a boy, because he'd "heard rumors of the destitute conditions there."

En route, he made a stop at Stratford-On-Avon, the birthplace of William Shakespeare--a place he had never visited.
I arrived late Saturday night (Nov. 7th), and after supper took a walk, hoping to find Shakespeare's cottage. The night was pitch-black but I instinctively turned down a street & stopped outside a house, lit a match and saw a sign: "Shakespeare's Cottage." No doubt a kindred spirit had led me there--possibly the Bard! (Chaplin, My Autobiography)
On Sunday morning, November 8th, Chaplin left Stratford and arrived in Manchester in the pouring rain at three in the afternoon. "Unlike London, it was strange to me," Chaplin later recalled. "Only the Midland Hotel was slightly familiar, and that had become begrimed with age." Chaplin got back in his car and made his way to Blackburn, which had been one of his favourite towns when he toured with Sherlock Holmes as a fourteen-year-old.  It was also in Blackburn that he had bought a dog and a rabbit to keep him company in the little pub where he lived alone for fourteen shillings a week. In his off hours, he would often play on their small billiard table.

The Bull Hotel, c. 1940. www.blackburnpast.com

Chaplin was pleased to find the surroundings familiar, including his pub, where he stopped and had a drink, unrecognized. Although it had changed hands, his "old friend" the billiard table was still there.  Another familiar site was the Bull Hotel. "In the  old days it was a grand place. How different it looks now--an inn with about a dozen rooms for guests." Chaplin reserved a room for the night and after a meal of bacon and eggs, he did some sightseeing around Blackburn, including a stop in Market Square where he listened to some political speeches.

Daily Mail, November 10th, 1931

Afterward he returned to the Bull and had a hot toddy. In paying for his drink, he pulled out a considerable sum of money:
I noticed a suspicious-looking character eyeing me carefully. Later when I went upstairs to retire, I saw him lurking at the bottom of the stairs.
I had been told that conditions were desperate in the north, and that it was hardly safe to be seen in an automobile. My chauffeur's room was at the other end of the building and my own was away from everyone. I also found my door wouldn't lock. I endeavored to dismiss that awful face from my mind and so read for a while. 
About twenty minutes later I dozed off. How long I'd slept I don't know but I was suddenly awakened by the sound of someone moving outside the corridor. I sat up with a start. Everything was deathly silent. I could hear the throbbing of my heart. Then I heard someone creeping and stop outside my door. Carefully the handle turned and the door creaked. 
The room was in complete darkness. Frantically I groped for the electric bulb over the bed and quickly turned it on and behold!--the door was moving but stopped. 
All sorts of notions were running through my mind. I could imagine big headlines, "Charlie Chaplin found murdered in Blackburn Hotel." 
I got up cautiously and gently closed the door again, placing a chair under the handle. A few moments later the footsteps crept away. That night I lay in a cold sweat, waiting for the dawn to break. 
At last the morning came and I ordered breakfast. A pretty little Lancashire girl came in with some orange juice. "Did you sleep well last night, sir?"
She giggled mischievously and left without saying a word. Why did she laugh, I thought? And so mischievously? When she came in with the coffee I asked her and she shyly confessed. 
"Well, sir, one of the maids asked me to go with her to your room so she could take a look at you while you were asleep. It was her only chance of seeing you. We waited outside your door for half and hour and were about to peek in when suddenly the light went on. We got scared and left."
And to think how I'd suffered all night! Nevertheless I expressed my regrets that I didn't see her for I'm sure I'd have felt happier had I done so.  (Chaplin, "A Comedian Sees The World, Part IV," Dec. 1933)

In my next installment of WTR: Chaplin attends the Ice Carnival benefit in London on November 18th.

Photo by Alexander Paal, c. 1940

THE GREAT DICTATOR (1940)

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It's Veterans Day here in the U.S.  Take a moment to remember someone who has served our country.

Both of Charlie's eldest sons, Charlie, Jr. & Sydney, served in General Patton’s Third Army during WWII. Charlie, Jr. received two battle stars for his service.

SHOULDER ARMS (1918)

Charlie poses with members of the U.S. Navy

Get $5 off CHAPLIN'S VINTAGE YEAR by Michael J. Hayde

Random Excerpt

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Oakie plays fellow dictator, Benzino Napaloni,
 in The Great Dictator (1940)

The following is an excerpt from "When Your Boss Is Charlie Chaplin," by Jack Oakie, who was born 110 years ago today:

Charlie was the most left-handed person of all the left-handed people in the world.
Sometimes he even confused the right side from the left side of the camera when looking through the lens. Karl Struss, the cameraman, had to keep reminding him that what he was looking at was on the side he meant it to be.
Right after lunch one day, with food still on his mind, we went to the set of the large banquet hall.
This was the scene where Hynkel and Napaloni were to have their private meeting.
Chaplin directed that, as we two dictators enter the banquet hall, his cabinet members hurriedly usher all the guests and waiters out of the room.
Charlie directed one of the young actresses , a dress extra, and a very attractive young lady, to pick up a plate on the run, fill it with food from the magnificent buffet table, which was laden with plates, silverware, napkins, and extra large platters of salads, meats, cheese, fruits, spaghetti, breads, cream dressings and condiments, and take it with her greedily as she quickly exited with the other departing guests. "See," he said, and demonstrated what he wanted her to do. He picked up the plate, filled it with some cheese and meat, hurriedly reached for some slices of bread and then rushed through the doors before they were closed by the guards. We started the scene and the girl picked up the plate exactly as Charlie had done. She tried to fill it with some meat and cheese, but the slices kept sliding off the plate, and the bread tray seemed far out of reach. She was too late getting to the doors before the guards closed them. "No! No! Honey," Charlie called to her. "Be quicker. Pick up the plate just as I showed you. Put some cheese and meat on it, reach for the bread and don't stop for anything else, go right out of the doorway."
"Yes, sir," she said. The poor girl was becoming nervous.
"That's all right," Charlie said kindly to give her confidence. "Let's try it again."
This time the food slipped and slid more than ever. Nothing stayed on the plate.
Charlie stopped the rehearsal and tried to put her at ease.
"How can anybody be so stupid?" he mumbled to me.
The lady grabs some bread, cheese, and a big sausage (ahem).
There is a lot of phallic imagery in this banquet hall scene.
Charlie joined her at the table. "Now," he said, "do exactly as I do." He stood beside her and had her follow him and imitate each gesture as he went through the scene. He picked up a plate, she picked up a plate, exactly as he did. But she didn't seem to be able to hold on to it.
He reached for the cheese and put some on his plate. When she did exactly as he did the plate seemed unbalanced with the weight of the cheese. He put some meat on his plate. She put some meat on her plate, and it wouldn't even stay on her plate with the aid of the fork. He picked up some slices of bread, but she couldn't manage that because she was holding on to the meat and cheese.
He then led her to the doorway and let her leave the room. As I watched them I began to realize that the more the girl tried to please Charlie by doing exactly as he did, the more awkward she became.
Then suddenly it dawned on me! I knew why she couldn't handle the plate and food business.
Charlie sat down beside me. "Muscles,* what am I going to do?" he said. "Have you ever seen anybody so stupid?"
"Charlie," I said quietly. "That girl isn't left-handed."
"Oh my gosh! Oakie, you're right!" He got right up and went off to talk to her privately. The very next take she picked up the plate with her left hand and with her right hand filled it with plenty of cheese and ham and reached for the slices of bread and got to the doorway for her exit just as Charlie wanted her to.
(Jack Oakie, "When Your Boss Is Charlie Chaplin,"Saturday Evening Post, April 1978) 
*"Muscles" was Chaplin's nickname for Oakie.

11/12/13

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On November 12th, 1913, Chaplin was most likely in Colorado with the Fred Karno Company performing "A Night In A London Club." This was one of his final performances with the troupe. His last appearance would be in Kansas City on November 28th before leaving for California to begin his film career with Keystone.

The poster below is from a performance earlier in the month at the Empress in Salt Lake City. Chaplin's name & photo appear alongside the troupe's showing that he was already a star in vaudeville.




This is the first, and perhaps only, time my name will ever appear in a Chaplin book. Even so, it's pretty cool.

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These photos, from my 1922 copy of My Trip Abroad, accompany Lisa Stein Haven's essay in the new book, Refocusing Chaplin.


Charlie poses with members of the Toho Cinema Company, 1926

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L-R: Mori Iwao, CC, & Ushihara Kiyohiko, who apprenticed at the Chaplin Studios from January-July 1926. The tent from the set of The Circus can be seen in the background.

Photo from Charles Chaplin In Japan by Ono Hiroyuki.

Charlie, Cornelius Vanderbilt, Jr., and Douglas Fairbanks, 1923

Claire Windsor, Charlie, and Mary Pickford, c. late '20s/early '30s

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During her brief romance with Charlie in 1921, Claire Windsor suddenly went missing. Charlie himself joined in the search party and offered a $1000 reward for her safe return. Claire was discovered a couple of days later lying under a tree. She claimed she had fallen from her horse, became dazed and confused, and wandered around in the hills behind Hollywood for two days and nights. It was Chaplin's publicist, Carlyle Robinson, who first suspected something wasn't quite right with her story. When he visited her in the hospital, he noticed that her riding boots were awfully pristine for someone who had been traipsing around outdoors for two days. He also noticed that the dark circles under her eyes were nothing but makeup. When he confronted her about it, she fessed up and admitted that the disappearance was a hoax--a publicity stunt arranged by her agent. She said she had hired a horse who knew the trails and hid in the attic of a house which was located in the same hills where the search parties had been looking for her. She was able to watch them from the attic window. Needless to say, this stunt marked the end of her relationship with Charlie. However, judging from the smiles, I guess all was forgiven by the time this photo was taken.

Chaplin with the new management of United Artists, c. 1952

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L-R: Arthur Krim, Max Youngstein, CC, Arnold Picker, Robert Benjamin, William Heineman

Charlie fixes Paulette's hair & makeup on the set of Modern Times

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I'm pretty sure the other woman is Paulette's mother, Alta. Rollie Totheroh can be seen in the background as well.


Interview with Lita Grey Chaplin, November 1993

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This interview with Lita was taped two years before she died and was one of her last. It was conducted for the CBS/Fox laser disc edition of The Gold Rush & was also included on the Image Entertainment DVD of the film.

Part One:



Part Two:


Dancing with Carole Landis

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Charlie briefly dated Landis in early 1941. She was blonde, beautiful, and buxom, which was not lost on Charlie. According to one gossip column, the highlight of "a recent shin-dig" was "Charlie Chaplin's popping eyes that followed Carole Landis' low-cut evening dress."*

Sadly, Landis committed suicide in 1948 at the young age of 29.



*The Miami News, March 8th, 1941

With Eric Campbell on the set of The Fireman, 1916

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(Source: Silent Traces by John Bengston)

Chaplin watches his own performance during the production of Limelight

Chaplin with world automobile tourist, Nell Wanderwell, left, 1923

Tonight on TCM's "The Essentials": THE WOMEN (1939) featuring (among many others) Paulette Goddard

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