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 From Syd Chaplin: A Biographyby Lisa K. SteinMcFarland, 2011
Sydney and Gypsy's first visit to Charlie's new residence in Vevey, Switzerland occurred May 22, 1954 & pretty much every day thereafter for a week. Subsequent visits occurred in August and then for the next few months, with the Charlie Chaplins often meeting them for dinner at their residence, the Montreux Palace Hotel. Thus began a sort of tradition of Sydney and Gypsy visits, ones that their nieces and nephews remember with great fondness. Geraldine remembers that her aunt and uncle arrived usually in the early afternoon and stayed then for dinner, with lots of performing (usually skilled magic tricks) and joke-telling in between, for the benefit of the children and often to Charlie's horror: "They always arrived in Sydney's incredible cadillac, which was an enormous thing. The biggest latest model. He would drive it so slowly, you wouldn't believe it--about 30 kilometers an hour [Michael recalled that you could see a long line of cars snaking through the Swiss countryside following Syd's huge car.] It had these two things coming out of the bumper with rubber on them that looked like breasts and Sydney would say, "These are my Marilyn Monroe's." Sydney's jokes were similarly off-color, probably the reason they were so enjoyed and remembered. Geraldine remembered one such joke, not because it was funny or because she even understood it, but because she and her siblings didn't understand what a "waffle" was--a word important to the punchline. They thought it must have some sexual connotation and was therefore all the more valuable for it.
Syd and his second (and last) wife, Henriette (aka Gypsy), c. 1956.
(Source: Syd Chaplin by Lisa K. Stein)
More than that, Sydney was just generally funny and always on the lookout for some way to entertain the kids. Michael Chaplin recalled that "once, in Switzerland, out in the garden where my parents used to dine, I was with Josephine and there was a black cat that jumped on the dining room window. Josephine threw a stone at the cat and it smatshed through the window into the dining room. Sydney, in the dining room, fell off his chair as if he had been shot. I guess Gypsy bawled him out, because he gave her a terrible fright, but we all thought it was hilarious." 
The children thought of Sydney not only as a humorous and entertaining guy, but as a gangster of some sort. He pasted his hair down with dressing, smoked big cigars and drove the huge cadillac. He had a wife, Gypsy, who spoke with a foreign accent, wore Chanel suits and was adorned with gaudy jewelry Sydney had picked out for her or had acquired cheaply at the Nice pawnshops that served largely the casino clientele. Gypsy was not the only recipient of Sydney's generosity, however. Oona received her first 16mm movie camera from Sydney and the children were overloaded with gifts. Josephine, for instance, received "a beautiful gold heart with a square emerald & two tiny emeralds & diamonds. It's supposed to be for her charm bracelet but I think it's too nice and should hang on her neck on a chain....The stones came from some ring Syd had picked up cheaply long ago. Then a Nice jeweler made it and it has quite a sparkle. [Oona Chaplin to Betty Tetrick, Feb. 1961]"
Charlie and Syd juggling for the home movie camera

World Tour Revisited: Chaplin in Egypt, March 1932

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Note: I should have posted this last week. I was unsure of the exact date of Chaplin's arrival in Egypt. The Chaplin Archive website has photos of Chaplin in Cairo stamped with a date of March 20th, so I assumed this was the date. But further research over the last couple of days has proven this date to be incorrect.

Cairo, March 1932. Charlie is in front, center. Syd Chaplin is at far left. Kono is behind Charlie.

On  March 6th, Charlie, his half-brother Sydney, and secretary, Kono, sailed from Naples aboard the Suwa Maru en route to Japan via the Suez Canal. They arrived at Port Said, Egypt at 6:30am on Thursday, March 10th where a large number of fans, journalists, and photographers boarded the ship. Chaplin was asked what he wished to see during his visit:
I don't suppose I shall go to the pyramids or the Sphinx. I don't like the antiquities and dead things. I'm tired of seeing churches and temples and ruins. Every big city has those to show and they are much the same everywhere. What interests me is the native life of the various peoples. People, not things, are the more interesting. There is so much to learn--always something new--in the customs and habits of fresh peoples. If one does not delve into the native quarters, all big, cosmopolitan cities are the same. I am particularly interested in Eastern peoples, and one of my reasons for my visit to Japan is that I want to see Japanese life from close quarters. One can see everything else on the cinema!1
Photos from the cover of the Egyptian magazine Al Lataif Musawara, March 14, 1932

Despite what Charlie told the reporter he did visit the pyramids and the Sphinx. He must not have been too impressed by it all because his visit to Egypt doesn't rate a mention in "A Comedian Sees The World" nor his autobiography. The only other record of the visit can be found in Syd Chaplin's notes:
Arrived Port Said. Motored through Cairo. Lunched at Shepheard’s Hotel. Rushed around town shopping, white suits, tropical helmets, etc. Visited pyramids. Watched a man ascend and descend more than six minutes, very dangerous, stumble would be fatal. Photographed camels. Difficulty in purchasing movie camera. Everybody hunting Cairo. Dozen people and dozen camels arrive at Cook’s office. Motored back to ship at night.2
The following photos show Charlie at the pyramids and taking a ride on a camel:


Coming up next: Chaplin visits Ceylon (Sri Lanka)--"the realization of all [his] exotic dreams"

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1Palestinian Bulletin, March 12, 1932
1Syd Chaplin: A Biography by Lisa K. Stein, McFarland, 2011

Charlie & Oona in Waterville, Ireland, c. 1962

IN THE PARK (1915)

Douglas Fairbanks, Allan Dwan, and Charlie, Pickfair Studios, 1922

Charlie & Eugene, c.1957

Spring Is Here

THE GOLD RUSH on TCM tomorrow night (3/21) @ 10:45 PM (EST)

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The film is part of Anthony Bourdain's "Food in the Movies" series on Friday nights this month.



Out on the town with Paulette, c. 1937

Chaplin's Mann Act trial begins, March 21st, 1944

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Chaplin with his attorney Jerry Giesler, at the Los Angeles Federal Building,
 March 21, 1944

Chaplin arrived at the courthouse at 9:15am wearing a "navy blue double-breasted suit, gleaming black shoes, a plain blue polka-dot tie with knot askew, and a gray Homburg hat." The first day of the trial* was devoted to jury selection. Chaplin sat in a red leather swivel chair at the defense table and "drummed nervously on a table top with his well-manicured fingers and occasionally blew his nose." Chaplin recalled in My Autobiography that when they entered the court room, his attorney, Jerry Giesler, parked him in a chair and then circled the room. "It seemed everyone's party but mine," he remembered. Two prospective jurors were excused when they admitted they might be prejudiced because Chaplin is a British subject.
"At one point, Chaplin, whose only prior lapse from stolidity had been the execution of a tap dance under the table with his tiny, black-shoed feet, began sketching, pursing his mouth into a whistle while doing so. Deft detective work by the gentlemen of the press, who were convinced he was sketching prospective juror No. 2, the girl with the droopy mouth and long black hair, revealed the sketch to be an arched bridge over a river, across which a steam locomotive was chugging its way." Chaplin later remembered that his attorney told him not to doodle because the press would get hold of it, analyze it, and draw all sorts of conclusions from it. Charlie said that the sketch of the bridge and train was something he used to draw as a child.

Charlie doodling in court (with his natural left hand)
The end result

Then something odd happened: "After calling the roll of fifty-six prospective jurors, twenty-eight of them women, Judge J.F.T. O'Connor read the indictment, pronouncing Miss Berry's first name as 'Jo-ahn.' Later, Federal prosecutor Charles H. Carr told the judge, without further explanation, 'I respectfully suggest that Miss Barry may not be in the category of a complaining witness." Judge O'Connor said, 'All right, I'll just refer to her as Joan Berry.'

By the end of the first day, seven men and five women were seated tentatively as jurors.

Charlie signs autographs (with his right hand) outside the Federal Building, March 21, 1944
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*Chaplin was charged with violation of the Mann Act which is basically transporting a woman across state lines for immoral purposes. In Oct. 1942, Chaplin had paid for a train ticket to New York for Joan Barry. The indictment contained two counts: one for the ticket to New York and one for the return ticket.

Sources:
New York Times, March 22, 1944
Chicago Daily Tribune, March 22, 1944
Charles Chaplin, My Autobiography, 1964

Never-before-seen Chaplin film

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My friend Dominique Dugros sent me these wonderful screen shots from a previously unknown (at least to me, and probably to most of you) short film that might possibly be a precursor to the 1918 never-released film How To Make Movies(or perhaps a remake or rehearsal of some sort). The film was part of a French documentary called La Naissance de Charlotby Serge Bromberg that came out in 2013. I don't recognize the man playing the butler and the film was shot on a set which doesn't look familiar to me either, so perhaps it was built specifically for this film. I also wonder if this could have been made during the Mutual period. Perhaps Charlie had the idea for it then and went back to it later. But my biggest question is: Why have we not seen this before?


World Tour Revisited: The Chaplin brothers visit Ceylon (Sri Lanka), circa mid-March, 1932

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Illustration by Robert Gellert for "A Comedian Sees The World,"
Woman's Home Companion, December 1933

The voyage from Egypt to Ceylon was "uneventful and the weather calm throughout," remembered Charlie. "The only event was changing to shorts when we came into the Red Sea. Shorts are tropical trousers that show the knees but I don't believe in them."1

Sometime during the trip, Charlie and Syd partook of their first Japanese-style meal. "One night we went Japanese and had dinner on the floor of the deck," Charlie recalled. "I learned from the ship's officer that pouring a little tea over my rice complemented its flavor."2 In a letter to his friend, R.J. Minney, Syd described the meal in more detail and with his usual dry wit: "Charlie and I sat for two solid hours in Japanese manner, and believe me the feeling after a first day's horseback riding is nothing in comparison with the aches and cramps on rising from the Japanese squat. Believe me, Japanese sitting, like skiing, should be learned while young." He wrote that he "thought the Japanese meal was never going to end. They cook it right on the table in front of you and put everything in but the mountain of Fujiyama. When it's all finished, if you can guess what it is--you can have it. They gave us chopsticks to eat with." While Charlie had practiced with chopsticks before, Sydney claimed to be "about as graceful as an elephant trying to thread a needle with boxing gloves on. Can you imagine trying to take a pea with two sticks in one hand? When it comes to eating peas you can have your chopsticks. Give me a knife--even though the peas do roll off."3 After the meal, the stewards entertained with Japanese dances and Charlie performed a burlesque fan dance.4

Japanese meal aboard the Suwa Maru, March 1932.
Syd, looking displeased, is seated across from Charlie. Kono is at far right.

"By the time we reached Colombo, the capital of Ceylon," Charlie wrote, "it was pretty warm and I began to envy my brother's shorts.* The boat docked there for twenty-four hours which gave us an opportunity to spend the night at the sacred city of Kandy, seventy miles from Colombo. Ceylon was the realization of all my exotic dreams. It has all the mysticism of the Orient and the charm of the tropics. As we motored to Kandy we were thrilled viewing strange sights and drinking the perfumes that lay heavy in the air. The night of a full moon is a ceremonial holiday for the Ceylonese."5

On the way, they came upon a procession of devil dancers. Charlie describes the scene:
"We pulled up to watch them pass, and the devil dancers approached. I became a little scared as they looked quite fanatic. The rest of the procession surrounded us, still chanting to the tom-toms. Then the dancers suddenly jumped in the air, twirled and pivoted in a most weird and demoniacal manner. After they'd finished, they came over and bowed, and we understood. So we dipped in the exchequer and went on our way.
Throughout the journey, I kept saying to my brother, "Did you ever realize there was such a place? We must settle down here in our old age and buy a tea plantation.' This was my first reaction."6

After dinner in Kandy, they took a rickshaw ride around the lake. Charlie remembered the "warm, sultry air and the strange sound of insects as our rickshaw boys walked silently in the moonlight, pointing here and there to wild turtles along the edge of the lake.

Returning to the hotel, we were met by one or two stragglers who recognized me. I threw them a coin. 'Thank you, my lord and master,' and all for a quarter, but everyone was 'my lord and master' here."7

The next morning, the brothers visited the temple where they were "impressed by the handful of rice donations to the poor."8

Before motoring back to Colombo to catch the boat, a crowd of natives surrounded the hotel and gave them a "rousing cheer." Charlie was happy to get away: "My enthusiasm to settle down there was not as keen as it was when I first arrived, for you quickly realize the opiate lure that excites your ardor also repels it, and I came away impressed with its beauty but realizing that it was not the place for Nordics."9

Charlie, Kono, and Syd in Ceylon

Charlie & Syd's next port of call: Singapore on the 27th.

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*Charlie recalled thirty years later in My Autobiography (1964) that "by the time we were on the Red Sea, we peeled off our "Nordics" and wore white shorts and light silk shirts."

1Charles Chaplin, "A Comedian Sees The World,"(ACSTW), Woman's Home Companion, Dec. 1933
2Charles Chaplin, My Autobiography, Simon & Shuster, 1964
3Lisa K. Stein, Syd Chaplin, McFarland, 2011
4Syd Chaplin typescript courtesy Lisa Stein Haven
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Photo by Witzel, c. 1922

Joan Barry testifies during Mann Act trial, March 23-24, 1944

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Joan was "highly nervous" and spoke in a soft voice--so soft, the judge had to tell her to speak up. Although Chaplin "glared" at her, sometimes through horn-rimmed glasses, she never once looked in his direction. She told the jury, which consisted of seven women and five men, that she was introduced to Chaplin by Tim Durant in late May 1941. After that, she saw him "pretty constantly...five or six times each week." She said that she signed a contract with the Chaplin Studios around June 15th, 1941 to play the part of Brigid in his never-made film Shadow and Substance. She said she became annoyed with Chaplin because he was "working on The Gold Rush [reissue] and something else  and not on Shadow and Substance. And because I was dissatisfied I asked if I could go to New York. He said 'definitely no.' He said, 'Joan, if you go to New York I will terminate your contract.' A few months later, Chaplin brought up the trip to New York and asked if she wanted to go because he was going himself (to give a Second Front speech at Carnegie Hall).  Charlie said that she could stay at her aunt's or at the Waldorf Astoria where he was staying.

Joan stated that she and her mother went to New York and stayed first at her aunt's and then moved  to the Waldorf and then to the Hotel Pierre where she stayed for three weeks.



She testified that she saw Chaplin for the first time at the Stork Club on October 16th--the same day he gave his Second Front speech. She saw him again three days later "we had dinner at the 21 club and later went to another place, El Morocco, I think."

"Where did you go then?" Prosecutor Charles Carr asked.

"To Mr. Chaplin's apartment. Mr. Chaplin said, 'Joan there are a few things I'd like to talk over with you. Will you come to my hotel?' I said I would."

"What happened there?"

"We went into the living room and Mr. Chaplin showed me around. Mr. Durant excused himself. He said he was tired and was going to bed."

"What did you and Mr. Chaplin do then?"

"We talked for a few minutes--on the couch."

"About what?"

"Oh, about the Russian people, how fine they were, I just don't know what..."

Joan became very embarrassed and began to fidget.

"During the conversation, did you go somewhere else?" Carr asked.

"Yes...to Mr. Chaplin's bedroom."

"What did he say?"

"He said, 'Joan...,' I don't know just exactly how to say it.... Well, he....well. Oh well, he said, 'Joan, will you come into the bedroom with me?"

"How long were you there?"

"About two hours"

"State whether you had sexual intercourse with him."

"I did."

Joan was asked if Chaplin completely undressed and she said, "yes, he did."

She then testified that she left about two a.m. and Chaplin accompanied her back to her hotel. He told her he was going to South Carolina to give another speech and that he wanted her to go back to California. The next day he gave her three one hundred dollar bills to pay for her fare and that of her mother.

At this point, Joan was questioned about the gun episode at Chaplin's house.

"How did you get in?"

"Oh," sighing audibly, "I broke in the door."

"Did you point the gun at the defendant?"

"I did."

"What did he say?"

"He was talking on the phone. He said, 'I'll have to call you back." Then he said to me, 'You are going to kill yourself. That will be very dramatic. The papers will eat it up.' Then he said, 'Sit down. Don't be such a fool.'"

"Did you have sexual relations?"

She looked down and said in a whisper, "I did."

"Where was the gun while you and Mr. Chaplin had the relationship?"

"Right here," indicating the judge's bench beside her, "on the table."

She left the next day but not until Chaplin delivered a sermon to her about how he wanted to rehabilitate her and give her another chance. He offered to give her an allowance of $25 a week on the condition that she didn't bother him and would only seen him when he wanted her to see him.

Under cross-examination by Chaplin's attorney, Jerry Giesler, Joan was questioned about a trip she made to Tulsa in November 1942 to get money from another man (J. Paul Getty). Giesler then introduced two letters that were written and mailed by Joan from the Mayo Hotel (Tulsa). She lowered her head and hid her face as Giesler read the letters aloud to the jury. Chaplin "began a nervous tapping of his black and white shoe. Finally wincing, he shielded half his face with one hand and looked alternately vexed and in pain."

Charlie and his black and white shoes. March 24, 1944
Joan's letters:




Afterward, Joan was led sobbing from the witness stand and the judge called a two hour recess.

Later, Giesler attempted to question Joan about her other relationships with men and how she was not a virgin when she hooked up with Chaplin, but the judge wouldn't allow it.

Frederick Cannon, the night elevator operator at New York's Waldorf Astoria also testified. He stated that one night in October 1942 he took Chaplin, Tim Durant, and a young lady with hair "that was really beautiful, a kind of auburn color" to a floor above the thirtieth. Asked if he overheard any conversation.

"To tell the truth, I must say I just heard Mr. Chaplin say, 'Well, honey'--you know, 'Well, honey.'"


Sources: 
Chicago Tribune, March 24, 1944
Milwaukee Daily Journal, March 25, 1944
Film Comment, Winter 1969

Catalina Island, c. 1930

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Note that Charlie and Georgia are holding hands, aww...

This is a slightly different photo than the one in Georgia Hale's book.

L-R: Grigori Alexandrov, CC, Georgia Hale, Sergei Eisenstein


Charlie & boxer Ted Lewis, c. 1918

CRUEL, CRUEL LOVE, released March 26th, 1914

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Directed by George Nichols
Screenplay by Craig Hutchinson

Charlie's fiancee (Minta Durfee) jumps to the wrong conclusion when she sees him assisting her maid (Eva Nelson) who has twisted her ankle. She breaks off their engagement and tells him she never wants to see him again. Distraught, Charlie attempts suicide by taking poison. He writhes in agony and has a "vision of his destiny": being tortured in hell by pitchfork-wielding demons. In the meantime, his fiancee learns the truth and sends him a note telling him all is forgiven. A frantic Charlie phones the doctor and discovers that the supposed poison was only water.

Instead of his Tramp costume, Chaplin is wearing a modified version of the costume he wore in Making A Living.


Chaplin with his friend, cartoonist Ralph Barton, on the set of CITY LIGHTS

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In the early 1910s, Barton was roommates in New York City with (another favorite of mine) actor William Powell. 

World Tour Revisited: Singapore, March 27th, 1932

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The Chaplin brothers arrive in Singapore
Our next port is Singapore, meaning in the Malay language, the City of Lions. Near Singapore the scenery is fantastically beautiful. Trees grow out of the ocean like the designs on blue willow china plates.1
A small crowd of about 200 awaited the arrival of Charlie and his half-brother, Sydney. This was not the mob scene Chaplin was used to: "The crowds were not as demonstrative here as they were in Ceylon," Charlie wrote, "but then Singapore in two degrees off the equator and I don't blame them. Nevertheless, there was a medium crowd and I was cheered, photographed, and interviewed."2

A reporter from the Straits Times explained the modest size of the crowd:
Asiatics are not demonstrative. They are not in the habit of mobbing cinema stars, even when the star is none other than Charles Chaplin, whose name is better known than that of any other man in the world, whose pictures are as familiar in China, Japan and India as they are in England...Singapore's cinema-goers did not turn out in force to greet Chaplin, they know of him, they crowd the cinemas to see his pictures, but they did not feel particularly interested in seeing him in the flesh. 3

Malayan Saturday Post, April 2, 1932

The reporters were nervous about approaching Chaplin for an interview for they had heard that "the screen's greatest star is not always approachable and sometimes does not welcome reporters." These doubts were quickly laid to rest: "he was courtesy in itself and ready to give the newspaper men all the help they needed.""Certainly," Chaplin said. "Let us go in and you can all interview me together."4

Chaplin told them that this was his first visit to the Orient and he was "enjoying it tremendously." But he felt that it was time to get back to Hollywood. "Yes, it is time I got back. I have been away on a whole year's holiday, the first holiday I have had since I started in pictures twenty years ago. Of course, I am going to make more pictures. Will my next be silent or talkie? That I cannot say. As regards myself, I think the public prefer me in my own medium. No, I cannot tell you yet what the subject will be or the title."

"It has been said that you are going to make a serious picture," suggested one interviewer.

"All my pictures are serious," replied Mr. Chaplin smilingly. "Perhaps it will deal with the world crisis."5

Chaplin was impressed to hear that City Lights was well-received in Singapore. "Is that really so?" he said. "I should never have believed it. And they liked City Lights you say? I am glad to hear that. You see a picture with just a musical accompaniment can be shown anywhere. That is the beauty of it. There are no national barriers to the silent picture."

Chaplin briefly discussed his immediate plans: "My brother and I are leaving for Java tomorrow and hope to visit Bali. We shall return here and catch the N.Y.K. boat to China and Japan. In two months' time I shall be in Hollywood and back at work."6

In My Autobiography, Chaplin said his outstanding memory of Singapore "is of the Chinese actors who performed at the New World Amusement Park, children who were extraordinarily gifted and well read, for their plays consisted of many Chinese classics by the great Chinese poets."

Autographed photo of Charlie and Syd in Singapore


Syd described their stay in Singapore with his usual humor: "Drive around Singapore--should be called 'Stinkapore.' Visited natives' quarters. Guide would keep taking us to parks and municipal buildings...We visited Hindu temple and saw worshipping ceremonies. We were especially shown the golden horse with the swinging and detachable phallus.* Drive to Seaview Hotel. We are the only customers. They switch off the lights after serving us drinks because it is midnight--and so, we drink in the dark."7

Next up: Java on March 30th. Don't miss Syd's description of the Dutch delicacy, rijsttafel. Plus a rarely-seen video.

Where was Charlie one year earlier?
http://discoveringchaplin.blogspot.com/2013/03/world-tour-1931-32-revisited

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1Chaplin, "A Comedian Sees The World," 1933
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3The Straits Times, March 28, 1932
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7Syd Chaplin T.S./Lisa Stein Haven

Charlie and Paulette in San Francisco, 1936

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Jean Cocteau's face is cut off behind Paulette.


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