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| Inside Facts Of Stage & Screen, August 9, 1930 |
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Personnel of the Chaplin Studios, 1930
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Artist couple Ernst & Karin Van Leyden create a portrait of Oona, 1947
The painting depicts Oona as wife and mother with Chaplin as the The Little Tramp framed in the background. The children are Geraldine and Michael.
The first, second, and fifth photos are from Cinemonde magazine (Nov. 11, 1947) and courtesy of Dominique Dugros (thanks for your help!) All other photos are from Charlie Chaplin by Maurice Bessy (3rd & 4th) & Remembering Charlie by Jerry Epstein (last).
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Here the painting can be seen hanging in Chaplin's foyer at his Hollywood home, at left above the organ. (Chaplin, at far right with Oona, was hosting a party for the Circle Theater players, c. Oct. 1947)
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The first, second, and fifth photos are from Cinemonde magazine (Nov. 11, 1947) and courtesy of Dominique Dugros (thanks for your help!) All other photos are from Charlie Chaplin by Maurice Bessy (3rd & 4th) & Remembering Charlie by Jerry Epstein (last).
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Here the painting can be seen hanging in Chaplin's foyer at his Hollywood home, at left above the organ. (Chaplin, at far right with Oona, was hosting a party for the Circle Theater players, c. Oct. 1947)
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World Tour Revisited: Epilogue
When Chaplin returned from his world tour on June 16th, 1932, "his head was brimming with ideas for the screen and a renewed compassion for mankind."1 However, Hollywood had changed during his year and a half absence. Talking films had come to stay and Chaplin was "in no mood to take up battle"2 with them.
Although he had several ideas for a new picture, he didn't begin work on them right away. One of his first priorities was to pen his travel memoir which was to be called "A Comedian Sees The World." So determined was Woman's Home Companion editor, Willa Roberts, to secure Chaplin's account of his world tour, she traveled all the way to Berlin in March 1931 to meet with him in person and seal the deal. Chaplin was offered $50,000 (or $1 per word) for his account. Biographer David Robinson noted that Chaplin was "more tempted by the challenge of writing than by the fee." This would be the first example of Charlie's own writing to appear in print, except for an economic policy statement he released to papers on June 27, 1933 (His first travel narrative, My Trip Abroad, had been written with the assistance of journalist Monta Bell in 1921).
May Reeves, Chaplin's lover and companion for most of the tour, recalled that he began writing the memoir during the summer of 1931 while they were in the south of France but made little progress. "He prepared to write his "Voyage Around The World' [sic] for Ladies Home Journal [sic], for which he was paid a dollar a word. He began well in the middle, but during the entire year we spent together he never progressed beyond these few phrases:
ACSTW4was published in five monthly installments in Woman's Home Companion beginning in September 1933.
Chaplin retells the events of his world tour again thirty years later in My Autobiography. However there is a noticeable difference between the two. Chaplin historian Lisa Stein Haven explains:
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By the time Chaplin finished the world tour he was becoming more outspoken politically and his fame made his opinions newsworthy. "I was surprised to see how seriously my views were taken," he wrote, "Popularity had suddenly endowed my opinions with importance."6 By the mid-1930s, his political opinions "had become integral to his star image, and his films more didactic."7
There is one event on the world tour that David Robinson believes was the origin of Chaplin's next film. In an after-dinner speech at Lady Astor's Cliveden estate, early on the tour in February 1931, Chaplin "startled the guests" by launching into "a diatribe against complacent acceptance of the growth of the Machine Age." The guests "could hardly have known that they were witnesses to the genesis of Modern Times."8 These political assertions would be reinforced as the tour progressed through his meeting with Gandhi and witnessing the effects of the Depression on the countries he visited. By the time he returned home, these issues were heavy on his mind. One month after he finished writing "A Comedian Sees The World" in February 1933, Chaplin was ready to transform his observations and angst into comedy.
1Lisa Stein,"Chaplin Sees The World,"Modern Times DVD booklet, Criterion Collection, 2010
2David Robinson, Charlie Chaplin: His Life & Art, 1985
3May Reeves, The Intimate Charlie Chaplin, 2001. The woman Charlie describes here is probably the dancer La Jana whom he refers to only as "G" in ACSTW.
4 ACSTW = A Comedian Sees The World
5Lisa Stein, The Travel Narrative As Spin: Mitigating Charlie Chaplin's Public Persona in My Trip Abroad& A Comedian Sees The World, Ph.D dissertation, Ohio Univ., 2005
6Chaplin, ACSTW
7Lisa Stein, "Chaplin Sees The World"
8David Robinson, Charles Chaplin: His Life and Art
Other sources:
Charles Chaplin, My Autobiography, 1964
Charles Maland, Chaplin & American Culture, 1989
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| Chaplin at the Brown Derby two days after his arrival back in Hollywood (June 18, 1932): L-R: Ethel Barrymore, CC, Dorothy di Frasso, Eugene Palette, and Douglas Fairbanks. |
Although he had several ideas for a new picture, he didn't begin work on them right away. One of his first priorities was to pen his travel memoir which was to be called "A Comedian Sees The World." So determined was Woman's Home Companion editor, Willa Roberts, to secure Chaplin's account of his world tour, she traveled all the way to Berlin in March 1931 to meet with him in person and seal the deal. Chaplin was offered $50,000 (or $1 per word) for his account. Biographer David Robinson noted that Chaplin was "more tempted by the challenge of writing than by the fee." This would be the first example of Charlie's own writing to appear in print, except for an economic policy statement he released to papers on June 27, 1933 (His first travel narrative, My Trip Abroad, had been written with the assistance of journalist Monta Bell in 1921).
May Reeves, Chaplin's lover and companion for most of the tour, recalled that he began writing the memoir during the summer of 1931 while they were in the south of France but made little progress. "He prepared to write his "Voyage Around The World' [sic] for Ladies Home Journal [sic], for which he was paid a dollar a word. He began well in the middle, but during the entire year we spent together he never progressed beyond these few phrases:
'I made the acquaintance of a young woman in BerlinCharlie began seriously working on the memoir in early 1932, while on the last leg of his trip, in Southeast Asia, with help from his half-brother, Sydney. He finished most of the project back in Hollywood, taking the rest of 1932 and the early part of 1933 to do so.
'Do you love me,' I asked.
'Love,' she replied. 'That's a big word, But I have so much sympathy for you!'3
ACSTW4was published in five monthly installments in Woman's Home Companion beginning in September 1933.
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| Cover of the first installment of "A Comedian Sees The World," Woman's Home Companion, September 1933 |
Chaplin retells the events of his world tour again thirty years later in My Autobiography. However there is a noticeable difference between the two. Chaplin historian Lisa Stein Haven explains:
This great disparity between the two versions of these tours supports an unstated promotional agenda for the travel narratives' version, one that seems to include a deliberate conflation of Chaplin's public and filmic personae...Chaplin's narratives rely on the audience's knowledge of the Little Tramp as traveling persona. Chaplin then exploits this characteristic of the Little Tramp by projecting a tourist persona in the narratives ["My Trip Abroad"& ACSTW] one that allows him to achieve a conflation with the Little Tramp persona that allows the books to succeed as promotional vehicles.5This Little-Tramp-As-Tourist agenda is further promoted in the illustrations that accompany the series which depict both the real Chaplin and his screen image, the Little Tramp (above and below).
Pages from "A Comedian Sees The World,"Woman's Home Companion, Dec. 1933 (left) and January 1934 (right).
By the time Chaplin finished the world tour he was becoming more outspoken politically and his fame made his opinions newsworthy. "I was surprised to see how seriously my views were taken," he wrote, "Popularity had suddenly endowed my opinions with importance."6 By the mid-1930s, his political opinions "had become integral to his star image, and his films more didactic."7
There is one event on the world tour that David Robinson believes was the origin of Chaplin's next film. In an after-dinner speech at Lady Astor's Cliveden estate, early on the tour in February 1931, Chaplin "startled the guests" by launching into "a diatribe against complacent acceptance of the growth of the Machine Age." The guests "could hardly have known that they were witnesses to the genesis of Modern Times."8 These political assertions would be reinforced as the tour progressed through his meeting with Gandhi and witnessing the effects of the Depression on the countries he visited. By the time he returned home, these issues were heavy on his mind. One month after he finished writing "A Comedian Sees The World" in February 1933, Chaplin was ready to transform his observations and angst into comedy.
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1Lisa Stein,"Chaplin Sees The World,"Modern Times DVD booklet, Criterion Collection, 2010
2David Robinson, Charlie Chaplin: His Life & Art, 1985
3May Reeves, The Intimate Charlie Chaplin, 2001. The woman Charlie describes here is probably the dancer La Jana whom he refers to only as "G" in ACSTW.
4 ACSTW = A Comedian Sees The World
5Lisa Stein, The Travel Narrative As Spin: Mitigating Charlie Chaplin's Public Persona in My Trip Abroad& A Comedian Sees The World, Ph.D dissertation, Ohio Univ., 2005
6Chaplin, ACSTW
7Lisa Stein, "Chaplin Sees The World"
8David Robinson, Charles Chaplin: His Life and Art
Other sources:
Charles Chaplin, My Autobiography, 1964
Charles Maland, Chaplin & American Culture, 1989
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"The Birth Of The Tramp" celebration & conference begins today in Bologna
I hope everyone has a great time. I'll be there in spirit.
http://www.cinetecadibologna.it/100charlot_eng/ev/conference2014
http://www.cinetecadibologna.it/100charlot_eng/ev/conference2014
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Hollywood premiere of THE GOLD RUSH, Grauman's Egyptian Theater, June 26, 1925
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| Cover of the premiere program. |
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| Chaplin at the premiere. |
A novel presentation of the celebrities present was accomplished by unreeling a special movie showing a procession of stars in specially acted incidents with Fred Niblo as master of ceremonies, both in film and on the stage.The applause for Mabel Normand's entry was second only to that of Charlie himself.
Rudolph Valentino in the screen introduction was presented in a bathing suit and bathrobe as an oceanside victim of auto thieves. At this point a noise of running feet in the aisles attracted attention to a racing figure which was Rudy, sure enough, in a bathrobe. Niblo reproached the sheik for appearing in such a costume, whereupon Rudy nonchalantly unpeeled the checkered robe and revealed the proprieties of a tuxedo.1
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| Chaplin with Sid Grauman |
Another person in the audience that evening was William E. Curry, grandfather of Lita Grey, who was Chaplin's original leading lady in the film until she became pregnant. "At the intermission, old Mr. Curry confided to a friend the depth of his disappointment at seeing Georgia Hale instead of Lita in the screen triumph he had anticipated for his 17-year-old granddaughter."3
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*Lita had been in practical seclusion during this time. Three days after the premiere, the birth of Charlie Chaplin, Jr. was announced. His date of birth was given as June 28th, although he had actually been born on May 5th. Since Charlie and Lita had only been married 6 months, he paid the doctor $25,000 to falsify the birth certificate with a later date. In order to keep the birth a secret for another 7 weeks, Lita and the baby were hidden away--first in a cabin in the San Bernadino mountains and then in a house in Redondo Beach.
1Rosalind Shaffer, "All The Old Guard of Movieland Sees Chaplin Premiere,"Chicago Daily Tribune, July 5, 1925
2David Robinson, Charlie Chaplin: His Life and Art, 1985
3Chicago Daily Tribune, July 5, 1925
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Georgia Hale in Motion Picture Classic, 1926
I hardly recognized her in this photo.
Happy (belated) birthday to Georgia who was born June 25th, 1900.
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Home movie footage, c. 1950s
The folks at the beginning are Jerry Epstein (far left), Kay Kendall and Rex Harrison. Kendall was a former girlfriend of Sydney (the younger) and was Charlie's first choice to play Ann Kay in A King In New York. I think the first blonde is Noelle Adam, son Sydney's wife and the second (the one who hugs Charlie) is Oona's childhood friend, Carol Marcus (later Matthau, wife of Walter) but this is just a guess. There is also a brief shot of Claire Bloom sitting on the lawn at the Manoir.
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Chaplin's affair with Louise Brooks depicted in cartoon from c. 1925
The cartoon also references the then-recent suit Louise had brought against photographer John De Mirjian to prevent him from distributing nude photos he'd taken of her a couple of years before.
http://louisebrookssociety.blogspot.co.uk/2014/06/posing-regretted-by-louise-brooks.html
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http://louisebrookssociety.blogspot.co.uk/2014/06/posing-regretted-by-louise-brooks.html
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Two-page spread announcing The Circus from 1926-27 United Artists' Exhibitor Book
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Chaplin’s Dunlop tennis racket, Keds shoes & Lacoste polo shirt
From Swiss auction catalog ("Charlie Chaplin In His Time," Gabus Galerie), 1993
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Chaplin photographed by Underwood & Underwood, NY, 1916
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Random Snippet
That Paulette's a lead foot!
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| Los Angeles Times, December 3, 1932 |
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On the set of MONSIEUR VERDOUX
Photo by Robert Florey.
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Major General George Barnett visits Charlie & Jackie during the filming of THE KID, c. 1920
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I just had to share...
I almost did a coffee spit-take when I saw this picture.
Charlie's goatee courtesy of catsandjammer.tumblr.com
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If Charlie were wearing glasses (and were a little more gray) he would look like Professor Siletsky from To Be Or Not To Be.
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See the original, unadorned photo of Charlie with Benny Leonard here.
Charlie's goatee courtesy of catsandjammer.tumblr.com
If Charlie were wearing glasses (and were a little more gray) he would look like Professor Siletsky from To Be Or Not To Be.
See the original, unadorned photo of Charlie with Benny Leonard here.
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Chaplin with Gracie Fields (left) and Constance Collier, c. 1937
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Amnesty International film "Pens" features excerpt from Chaplin's "Great Dictator" speech
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Autographed photos of Charlie and Paulette in Singapore, 1936
Charlie's photo is signed: Best Wishes, Charlie Chaplin. Paulette's says: Sincerely Paulette Goddard.
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Happy Independence Day!
Be careful with those fireworks!
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Color photo, October 1940
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