Quantcast
Channel: Discovering Chaplin
Viewing all 1853 articles
Browse latest View live

Jean Harlow in CITY LIGHTS

$
0
0

Although Jean is not in the final film, you can see her in this posed still from the nightclub scene (far left in the top photo). She and her mother were hired to be extras in this scene. According to his press agent, Carlyle Robinson, Chaplin was evidently quite taken with the blonde bombshell:
While City Lights was in the making, Charlie became interested in a young woman, an extra. The peculiar color of her hair attracted him. She was provocatively alluring. 
At the same table at which this extra girl was seated was an older woman. I learned they were mother and daughter. He instructed me to have the older woman promoted! She should play the bit of the indignant matron who sits upon the burning cigar in that sequence. It was only when he discovered that the woman had her hair cut in a boyish bob that he changed his mind. 
At the time I made a note that the name of the mother and daughter was Pope*--a Mrs. Pope and Jean Pope. Later I discovered that the girl had blossomed forth--in Hell's Angels - as Jean Harlow! The mother was now Mrs. Marino Bello. (Carlyle Robinson, "The Private Life Of Charlie Chaplin,"Liberty, Winter 1972)
*Instead of Pope, Robinson may have meant Poe, Jean's mother's middle name. 

Truman Capote proofread "My Autobiography." It didn't go well.

$
0
0
Capote, Oona, and Charlie at the Manoir

When Chaplin was writing his autobiography he asked Capote, a Swiss neighbor, to read it and tell him what he thought of it. Capote agreed. "So I went to work on it. In pencil," he told Carol Matthau, Oona's best friend. "And I took it down to him. We started to talk about it and Charlie threw me out. 'Get the fuck out of here,' he said. I wanted you to read it. I wanted you to enjoy it. I don't need your opinion." 1 Among Capote's criticisms was that he didn't like the title "My Autobiography." Chaplin's response: “What’s so good about Breakfast At Tiffany’s? That’s the silliest title I’ve ever heard!” Privately, Chaplin liked to imitate Capote's speech when commenting on the autobiography: "That'th not a thententh. It'th not a thententh, and it never will be a thententh." 3

The story goes that best friends Oona, Carol Matthau, and Gloria Vanderbilt were the inspiration for Holly Golightly in Capote's "Breakfast at Tiffany's."

1Matthau, Among The Porcupines, 1992
2Epstein, Remembering Charlie, 1989
3Saroyan, Trio, 1985

Chaplin wins plagiarism suit, November 1939

$
0
0
Given all the headlines about plagiarism today, I thought this was a timely story. In 1939, Chaplin won a federal suit brought against him by attorney Michael Kustoff, who claimed Chaplin had lifted the plot of Modern Times from his autobiography, Against Gray Walls.

Chaplin at the federal building following his victory in court.

Kustoff served as his own attorney and questioned Chaplin on the witness stand. Read the full story, plus some of the testimony, here:


Los Angeles Times, November 19, 1939

Mildred Harris (November 29, 1901-July 20, 1944)

$
0
0

Mildred was Chaplin's first wife and the mother of his first-born child, Norman Spencer (aka "The Little Mouse") who died three days after his birth. Charlie and Mildred were married in 1918 and divorced two years later. A successful actress, she appeared in 135 films between 1912 & 1944, although many of her final appearances were uncredited. She died of pneumonia following surgery on July 20th, 1944 at the young age of 42. Charlie sent a spray of orchids, roses, and gladioli to the funeral.1 This is touching since Mildred wore orchids, her favorite flower, on her wedding day.2

In 1927, Mildred wrote the following about her former husband:
I came to know him as a strange brooding spirit, haunted by good, and, perhaps, sometimes bad impulses or temptations, inspirations and fears, all pulling in different ways and giving him no rest. ("Mildred Harris' Own Story,"Syracuse Journal, Feb. 1927)

1Charles Chaplin, Jr, My Father, Charlie Chaplin (1960)/New York Times, July 25th, 1944
2Mildred Harris, "The Private Life Of Chaplin," March 21, 1936

Day By Day: 1936

$
0
0
Wednesday, July 22nd: Charlie and Paulette attend a reception honoring Johannes Poulsen, head of the Royal Theater Of Denmark. 

Host Mary Pickford introduced Poulsen to 200 celebrities and civic leaders on the lawn of her home, Pickfair. The Danish director was invited by the California Festival Association to stage an outdoor production of the play Everyman at the Hollywood Bowl that September.

In this grainy photo from the Los Angeles Times (7/23/36), you can see Charlie and Paulette to the right of Mary
 (in white hat). 
L-R: Poulsen, CC, Paulette, Norma Shearer, and Mrs. Poulsen.
Poulsen at left and Jean Hersholt on the right. I apologize for the watermarks.

Day By Day: 1936: A document of one year of Chaplin's life. (Note: Some recent updates to the series are only posted on the series page.)

Going for a swim, French Riviera, 1956

$
0
0
Everyone stay safe in the heat. Charlie has the right idea.


From "Charlie On Holiday,"Picture Post, September 1956

Charlie's blindfold cigarette test

$
0
0
This photo shoot was used to advertise Old Gold cigarettes in Judge magazine in 1928.


In the background of the above photos (L-R): Carlyle Robinson (Chaplin's press agent), Harry Crocker, and Henry Bergman.

According to the ad below:"Chaplin was asked to smoke each of the four leading brands, clearing his taste with coffee between smokes. Only one question was asked:  'Which one do you like best?' He chose Old Gold." Sez Charlie: "It was like shooting a scene successfully after a whole series of failures. It just 'clicked' and I named it as my choice. It was Old Gold...It seems Strongheart and Rin-tin-tin are the only motion picture actor stars who don’t smoke them.”

"Not a cough in a carload"

Between takes on the set of THE ADVENTURER, 1917

$
0
0

Other familiar faces include Albert Austin (far right) and Rollie Totheroh (behind the camera). The man on the left looks like someone I should know as well. Fred Goodwins?

Chaplin delivers a radio broadcast in support of Roosevelt's "Buy Now" campaign, October 24th, 1933

$
0
0

Broadcasting nationally at 7:30pm from Columbia outlet KHJ in Los Angeles, Chaplin appealed to the country to show its support for President Franklin D. Roosevelt's N.R.A. (National Recovery Administration). It had been five years since his last national radio broadcast, so this was the first time many listeners had heard his voice and were "surprised and thrilled at his British accent."

However, in keeping with past radio appearances, he was struck with a severe case of "mike fright" before going on the air. Employees of KHJ said he was the "most nervous person they had ever seen broadcast....he paced the floor muttering over and over, 'Twenty million people' as though the thought of addressing such a vast audience was appalling." He reportedly "consumed half a box of medicated throat discs and several cups of java before going on....Station audiences went fidgety watching [him] perspire."

"[Chaplin] rehearsed his opening joke several times and when the time came for him to deliver it he almost had a spasm. But as the broadcast progressed he warmed to his subject and began striding about and gesticulating. On one occasion he missed the microphone by a fraction of an inch when impulse prompted him to wave an arm."

His 900-word speech began as follows:
When I was notified from Washington to speak in behalf of the N. R. A., I was asked to be serious. So when I am asked to be serious, I shall be serious. Like the young lady at a Jewish ball, when a young gentleman went up to her and said: ‘Excuse me, are you dencing?' she answered: ‘Are you esking” ‘Sure, I'm esking.’ ’Den, I’m dencing.’ So, like the young lady, then I am serious."
He continued...
As you know, the code of the N. R. A. is for reducing the hours of labor, raising the wages to a higher level and increasing the purchasing power of the people. Whether this can be accomplished or not depends upon the patriotism and goodwill of every citizen of this country.



Stressing the necessity of “buying now," he said:
Those who are fortunate enough to have money should spend it. Be like the little boy who was given 10 cents and was asked what he would do with it. He said: ‘I'm going to buy an ice cream soda!' But, said the giver: ‘Wouldn't you like to give it to a missionary to help the savages in Africa?'‘Sure, but I'll buy an ice cream soda and ask the soda clerk to do that.'
He then referred to the 11,000,000 unemployed:
Naturally this appeal is not made to them. But there are 90,000,000 people in America, myself included, who have means--who have the purchasing power to buy now and can help to put those unemployed back to work. After all, we are not making any sacrifices. On the contrary, it is to our advantage if we buy now, because prices are bound to rise later on. 
Concluding, he said:
In March when all the banks were closed the people cried for action. Now President Roosevelt has given us that action. The Government has given us a program, and now it is our turn for action.  


Sources:
Boston Globe, October 24th, 1933
Los Angeles Times, October 25th, 1933
Variety, October 1933

Farewell, Gloria DeHaven

$
0
0
Actress and singer Gloria DeHaven passed away on Saturday at the age of 91. Her first ever film role was portraying one of the Gamine's sisters in Modern Times, a film for which her father, Carter DeHaven, served as assistant director. 

Gloria is on the right.

In this 1989 interview, Gloria remembers "handsome" Charlie Chaplin ("you just don't know how great-looking [he] was")--going to his house with her father, and how she got the role in Modern Times. This part of the interview starts around the 2:00 mark.




Charlie & Oona in Italy, 1957

$
0
0
The woman at far right is Dawn Addams, Charlie's leading lady in A King In New York. All three were in Italy to attend a premiere of the film. Dawn became friends with Charlie and Oona in 1952 after she auditioned for the role of Terry in Limelight (of course, the role eventually went to Claire Bloom). The Chaplins also attended Dawn's wedding in Rome in 1954 when she married Don Vittorio Massimo, the Prince of Roccasecca.


Sunbathing with May Reeves in Juan-les-Pins, Summer 1931

Farewell reception for Chaplin & Kono hosted by the Japanese Society of Los Angeles, January 9th, 1931

$
0
0
Held at the Hamanoya Restaurant in Little Tokyo,* this gathering (I assume) was a sendoff for Chaplin & his assistant, Kono, who were leaving a world tour in less than a month.

Photo courtesy of Gretchen Mittwer. Mittwer's grandfather, Julius, was a distributor for United Artists in Japan (under the black arrow near the right). Chaplin is under the white arrow near the center. Kono is two down from Chaplin on the right.

Actor George Kuwa presents Charlie and Kono with gifts on behalf of the Asahi Shimbun newspaper.
(Source: Charles Chaplin In Japan by Ono Hiroyuki)

ONE A.M., released 100 years ago today

$
0
0
"Charlie Chaplin said that if any man could appear absolutely alone and hold attention for two full reels, he believed he could do it," wrote Alexia Durant of Photoplayer's Weekly.1 And that's exactly what Chaplin accomplished in his fourth release for the Mutual Film Corporation. Except for a brief appearance at the beginning by Albert Austin, the film is a complete solo performance.


Chaplin plays a wealthy drunk who arrives home in the wee hours and tries to go to bed. "One A.M. was unusual for me," he later wrote, "it was a solo act which took place in a very restricted space: an exercise in mime and technical virtuosity, with no plot or secondary characters. I arrive home drunk early one morning to find everything in the house against me."2


It was an experiment he never repeated. Not only was the film the least popular of the Mutuals but Chaplin himself never thought too highly of it. According to biographer Theodore Huff, he was said to have summed up One A.M. with the remark: “One more film like that and it will be goodbye Charlie.” 



1July 15, 1916
2Chaplin, My Life In Pictures, 1974

Chaplin in ads for Wolf & Bean suits

$
0
0
The following ads appeared in the Los Angeles Times in 1916. According to the first ad, Chaplin wore a Wolf & Bean dress suit "throughout the entire two reels" of One A.M., which premiered 100 years ago this week (August 7th). The second ad shows "the world's greatest comedian" as readers have perhaps never seen him--in Full Dress. Says Mr. Chaplin: "I appreciate the fact that my Formal Attire is correct in every detail."



Charlie and Paulette speak in a clip from HOLLYWOOD ON PARADE (1933)

$
0
0

Frankie Darro, posing as a telegram delivery boy, makes a delivery to Chaplin. While Charlie signs for it, Paulette says to Darro, "you have makeup on." Toward the end, Charlie can be heard asking for the telegram and Darro tells him, "there's nothing in there"

Rare footage of Chaplin's Trick Film Sequence with Sir Albert and Lady Naylor-Leyland, 1923

$
0
0
This rarity was posted on the Chaplin Official Facebook page today. A small portion of this footage appears in the documentary The Gentleman Tramp, but the rest of it I'd never seen before--and it's quite long. This was early 1923, so I assume the set and the door is from A Woman Of Paris but they don't look familiar to me. The Naylor-Leylands were on their honeymoon. Chaplin evidently gave the bride a movie camera as a gift (see article below).




San Francisco Chronicle, May 4th, 1923

A Midsummer Night's Dream

$
0
0
Charlie & Paulette attend the opening of Max Reinhardt’s stage production of Shakespeare’s A Midsummer Night’s Dream at the Hollywood Bowl, September 1934.* Chaplin's friend and, later, biographer, R.J. Minney, is on his right. It was reported at the time that Chaplin was approached by Reinhardt to appear in the production, either in the role of Bottom or Puck. 


*Reinhardt directed a film version of the play the next year.

Chaplin with John Mills (left) and Michael Balcon during an interview with the BBC, October 1952

Men With Hats

$
0
0

Photos from Ladies Home Journal, July 1918
Viewing all 1853 articles
Browse latest View live


<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>